This page is not created by, affiliated with, or supported by Slack Technologies, Inc.
2018-10-09
Channels
- # 100-days-of-code (6)
- # announcements (4)
- # atlanta-clojurians (1)
- # aws (1)
- # beginners (65)
- # boot (21)
- # cider (9)
- # cljsrn (3)
- # clojure (186)
- # clojure-android (4)
- # clojure-conj (1)
- # clojure-dev (12)
- # clojure-germany (3)
- # clojure-italy (8)
- # clojure-nl (1)
- # clojure-russia (32)
- # clojure-spec (19)
- # clojure-uk (41)
- # clojurescript (83)
- # core-async (5)
- # cursive (18)
- # datomic (15)
- # emacs (5)
- # events (4)
- # fulcro (7)
- # hyperfiddle (4)
- # leiningen (4)
- # liberator (1)
- # off-topic (65)
- # overtone (4)
- # pedestal (5)
- # perun (1)
- # planck (3)
- # re-frame (1)
- # reagent (3)
- # rum (5)
- # shadow-cljs (8)
- # spacemacs (19)
- # testing (3)
- # tools-deps (4)
- # yada (6)
there was a dope talk at Strange Loop @mattly from a guy who used Overtone to do Indian classical music, i.e. ragas โ he started with direct MIDI/frequency correlation but added variation patterns to emulate the way ragas will sort of move around the noteโs frequency
๐ 12
right I mean there's all sorts of ways to come up with note patterns and scales
๐ 4
๐ผ 4
for what it's worth, I posted on soundcloud a set I did last spring using Overtone https://soundcloud.com/hlolli/raflost-2018-hlover-sigursson not extreamly proud of it (gets better in the middle), but Overtone can still rock if used correctly ๐